how to draw a 3d heart hole step by step
Understanding the effigy
To draw a pose correctly, yous don't need to always carry an beefcake book with you. Information technology'due south not as difficult every bit it seems: ascertainment and practice are your all-time tools. If at whatsoever point yous become curious most trying something new (which I promise y'all do), it never hurts to accept a look at that anatomy volume.
Even if your drawing manner is far from realistic, the aspects that make a pose interesting and credible remain the aforementioned: strength, rhythm, activity lines, structure and perspective.
Ascertainment:
Your closest reference is yourself. If you lot look at yourself in front of a mirror and start moving, you will notice that your body works as a single element.
When you lot enhance an arm, the arm is not the but part of your body that moves, unlike how the removable extremities of dolls piece of work. The changes in your body don't resemble figure A, right? For example, your shoulder also lifts, and many other parts of your body adjust to the movement as in figure B.
This is what ascertainment means: paying attention to the details and characteristics of the torso.
Forcefulness and rhythm
Your characters motion thanks to their inner strength. They tin can walk, jump, dance… whatever comes to listen! Simply unless they are floating in space, it is not the simply force that acts on them, as gravity makes their feet stay on land.
When two or more than forces interact with each other, a rhythm is set, which provides residue and sense to the movement.
If your grapheme is pushed to the left, his body will fall in that management (A), unless he puts up resistance to stand (B).
If the grapheme wants to pull something that refuses to motion, his body will lean in the opposite direction. Obviously, once the cat gives in to the force, your character volition fall, as the cat was what kept him continuing.
Forcefulness and rhythm provide a lot of visual information you can work with: the weight of your character (ane), the balance of his pose (two) or the lack of it (3).
Action lines
The action line is the imaginary guide that indicates your character's motility. It focuses on deportment and helps to unify the whole figure.
Below you can see a couple of examples where strength, rhythm and action lines interact together.
Example i:
The grapheme (1) has a relaxed stance, resting on her right arm. In the figure (ii), we can see her action line, which covers her whole body up to the foot. The shape is slightly similar to an South.
Nosotros tin can see it is a relaxed pose because her weight rests on a single point (3) and all she needs is to proceed the balance with her left foot, which remains taut while the right one is resting.
Example two:
The side by side pose is more dynamic, then there are more things going on in this image.
This fourth dimension you tin can see three action lines, but the most important are (one) and (2), the ones that really tell the story. The first one covers the whole figure from head to toe, and the second one goes in the opposite direction, keeping the residual and forming an Ten. The third one simply provides greater stability to the pose.
In this drawing we can run into that there is a strength that pushes the character in the reverse direction to her gaze. Elements such as the hair, the apparel and the dust on the floor suggest that the force comes from the right side, and as these elements are light, they are afflicted by the speed with which this force acts.
Withal, this daughter wants to overcome this forcefulness with her ain strength. She has no intention of losing the fight.
Example 3:
This time, our character is a baseball game role player. He's spinning his trunk to get enough momentum and counter the ball'due south forcefulness to hit it far away. Don't you lot become the impression that it will exist a dwelling house run even though you haven't seen how the scene ends however? Information technology's the magic of anticipation. If y'all know how to properly handle the strength, rhythm, and action lines correctly, you lot volition be able to guide the spectator along the path y'all accept set up. This is very of import for whatsoever comic artist.
It's of import that you don't overpopulate your drawing with too many action lines, because information technology could confuse the character'south intention, brand the forcefulness go in different directions, and take the emphasis away from the most important activity.
Construction
The body is quite circuitous and information technology is difficult to draw correct proportions and move abroad from the second airplane. I recommend yous shape a base that helps you discern the volume of each element. To do this, we will utilize geometric figures such as spheres, cubes and cylinders to represent the structure of the body.
These figures can be freely rotated, stretched, flexed, and twisted according to the pose.
These figures correspond the direction of the dissimilar elements of the trunk. You must pay special attention to the limits of the joints, since at a certain signal you accept to turn or twist the body to keep moving in that direction, changing drastically the pose.
With practice, this process gets simpler. The meliorate you sympathise how the figure works, the fewer guides y'all will need.
Perspective
Perspective turns the second plane into a 3D one and adds more depth and visual richness to the limerick than just looking at it from a frontal plane.
The eye level or horizon line represents the actual height of the viewer's eyes (ane), and the vanishing points are the lines projected from a point on the horizon (2). The following image has a perspective with two vanishing points with which we tin appreciate two faces of the figure.
The trunk is more intricate, but the principle is the same. For example, this figure's feet and hands are smaller due to the perspective, and even suggest u.s. how we should project the vanishing betoken lines.
Action poses always expect more dramatic when the perspective is exaggerated. Even when the poses are not entirely realistic, the figures seem credible and the scenes look more than interesting.
I recommend you to exercise and read about perspective as much as possible, as it is not something y'all tin main in a twenty-four hour period. Analyze as many references equally you tin. Eventually, y'all'll cease up seeing vanishing points everywhere.
Essential lines
You can speed up and improve your observation skills by drawing poses using photos or actual people as a reference and setting a short fourth dimension limit for it. The aim is to capture the essential data of the figure and, of course, to draw as many poses as possible.
This exercise will besides help you to increase your confidence when drawing. Don't be afraid to draw the starting time line, and fifty-fifty if yous make a mistake, avert erasing the lines. Endeavour to focus and draw clean, clear lines.
Beneath you tin see some examples of poses that I have drawn within 45 to threescore seconds:
At first, focus on drawing the whole body with polish lines. So, if y'all have more time, detail and build the shape better.
Don't be afraid to describe what y'all don't run across or what is hidden, as information technology will give you a better idea of the figure'due south construction.
Effort to exaggerate the lines. It makes them softer and more credible, still crazy information technology sounds.
Unless the model is in a very rigid posture, try to avert directly lines. The nearly natural poses are congenital with curves.
I promise these tips take been helpful!
If you want to see more of my work, from these links y'all tin can access my social media pages and my portfolio:
https://www.instagram.com/eri_duh/
https://twitter.com/eri_duh
https://www.artstation.com/eridey
Thanks so much for reading this article!
– Eridey
Source: https://www.clipstudio.net/how-to-draw/archives/156164
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